Victoria Manning grew up in Massachusetts and trained with Jose Mateo Ballet Theatre. She attended summer intensive programs across the country and trained with Philadelphia Ballet, Boston Ballet, Ballet Austin, Brookline Ballet, Orlando Ballet and Washington Ballet. After high school Manning attended Indiana University’s Jacobs School of Music and Kelley School of Business where she earned a Bachelor of Science in Ballet Performance and an Outside Field in Marketing. There she had the privilege of working with Kyra Nichols, Carla Korbes, Michael Vernon, Shawn Stevens, Sarah Wroth, and Sasha

Elijah S. Pressman trained at Lauridsen Ballet Centre in Torrance. California. Elijah’s repertoire includes ballets by Robert Kelley, Laurence Blake, Jon Cristofori, Kenneth Walker, William Whitener, and Daniel Baudendistal. He has attended the summer intensives of Santa Cruz Ballet Theatre, Utah Regional Ballet, is a two-time full scholarship recipient to the Craft of Choreography Conference run by Regional Dance America and was selected to dance at the International Ballet Conference in Jackson, Mississippi. Elijah is a founding member of KWDP.

Emma Silagy began her dance career at two and a half years of age, having accumulated more than nineteen years of classical ballet training and nine years of modern/contemporary experience.  Recently completing her education at California State University, Long Beach, Emma earned her Bachelor’s degree in Dance with a minor in Event Planning Management.  While training at CSU Long Beach, Emma was afforded the privilege to work under many distinguished choreographers such as Lorin Johnson, Andrew Vaca, Rebecca Bryant, and Rebecca Lemme.  In addition to her choreographic opportunities

Xochitl Velazquez began dancing at the age of 6. At age 9, she began her ballet training at San Diego Civic Youth Ballet. She later went on to train in Tampa, Florida at Orlando Ballet School and Next Generation Ballet School under the direction of Peter Stark. In 2012, she received a scholarship at Walnut Hill School for the Arts. In that same year, Xochitl completed American Ballet Theater’s National Training Curriculum in New York with the highest score in her class. She danced at America’s Ballet

Michael Hill grew up dancing, leaving home at 15 to pursue it professionally. He was trained at the Next Generation Ballet, Canada's National Ballet School, Orlando Ballet School and Ballet West Academy Professional Training Division, as well as with masters such as Bruce Marks, Dinna Bjorn and Alonzo King. He has performed several corps roles with Ballet West, principal and soloist roles with Ballet West II, the Ballet Repertory Theater of New Mexico, Queen City Ballet, New West Ballet, and has also competed in the National High School

Olivia Hamilton originally from east Tennessee, earned her Bachelor of Arts in Dance from Belhaven University in Jackson, MS (Cum Laude)and currently dances with professional contemporary company FUSE Modern Dance of Orange County. Olivia was a part of the Steps of Faith Dance Company in Cartersville, Georgia from 2008-2010 . Olivia has trained extensively in classical Vaganova ballet and Graham modern as well as tap, improvisation, aerial, and contemporary. She has trained under Leann Alduenda and , Oliver Steele of SteeleDance in NYC, Desmond Richardson and Dwight

Morgan Davison started her dance training at Riverside Ballet Arts under the direction of Glenda Carhart and then furthered her studies at Ballet Pacifica. Morgan began her professional career with the Suzanne Farrell Ballet. She continued her education on scholarship at the University of Utah, dancing with the Department of Ballet’s resident student company, Utah Ballet. She was then invited to join Nashville Ballet’s second company. While in Nashville, she became more interested in exploring modern and contemporary dance by working with Banning Bouldin and Gina Patterson.